Submitted by students, these are internship experiences told first-hand.

Wednesday, April 2, 2025

Artist Internship

I learned about this internship through the Practice & Pie event. I was spotted by someone who told me that an employer liked my handknit sweater, who then directed me to them. She connected me with this artist after the event and I later introduced myself via email. My supervisor is a working artist who addresses and creates conversation around racism in America–with a focus on Baltimore, through craft. Many of her works are woven photography, repurposed ‘trash’ items such as plastic bags, caution tape, and more recently fruit bags. She uses various weaving techniques, hand-sewing, and other innovative joinery to create large sculptural works. My responsibilities were mainly to assist with making tests, or sketches, as she calls them. “Sketches” were like prototypes of larger works or playing around with materials. The sketches I created served as smaller models for larger projects, scalable measurements, potential joinery methods, and/or to learn about the characteristics of the material.

My biggest takeaway from this internship is how to look at art from both a business and passion perspective. It is not difficult for me to schedule around my art-making for class but I am amazed at the drive and discipline of all independent artists. I learned a lot more about project management and how to present your art than I did about artistic processes. Although, she did expose me to many new methods of art making that covered a variety of materials. 

From this internship, I have learned that I do not want to be an independent studio artist. I would argue that this realization can be just as important as learning that you want to be an independent studio artist. I deeply enjoy crafting, but I would like to work with sculptural textiles collaboratively. Designing for the Annual Benefit Fashion Show at MICA clarified that I want to design garments but that I definitely need a team to produce something more amazing. Kim also introduced me to the idea of becoming part of an artist’s team. In conceptual art and other collaborative projects, a team is needed to fully realize the idea. I often struggle with creating concepts for my work and, instead, focus mainly on the craft portion of an assignment. I would like to learn more about assistant fashion designers, co-direction, and collaborative art as a whole!