As script supervisor, my job was to be the link between the director(s) on set with the editor(s) in post-production. Luckily, both my professor and his wife were the directors and editors of Stealing Cars so my job was a little easier than normal. I had to take notes on each take that was shot so when they edit the film later, their process will move faster. I also had to make sure each scene and take were consistent; it’s very easy to get mixed up with props and wardrobe during filming. Everyone on set is so focused on their job that it can be hard to notice if someone moves their arm differently in a take or if they aren’t wearing a backpack that they should be wearing, so it was my job to notice what everyone else wouldn’t.
I’m most proud of my willingness to grow and learn because it’s impossible to keep track of every small detail. I could see my progress as time went on and there was always an immediate emotional reward for when I caught something. Each time, I felt like I saved the movie. My biggest takeaway is my understanding of the script supervisor role. A few months ago, I didn’t know it existed. Now I feel like script supervising is a viable career path for me.